Saturday, June 30, 2007

Ratatouille Premieres In France...


Wee wee...

Pixar premieres "Ratatouille" in Paris, France tonight.

The city that's the location for the film will host the French premiere on the banks of the Seine at Pont Alexandre III, Quai des Champs Elysees.

John Lasseter, supreme ruler of the Glendale Kingdom will attend. Director Brad Bird, CEO Bob Iger and Walt Disney Pictures Chairman Dick Cook will also attend along with a collection of famous chefs. Patton Oswalt won't be attending as he's not in this version. For the French version they ironically had to find someone... well, French. I guess we Americans aren't obnoxious enough, eh?

Wee...

Old Ducks Just Fade Away...


After more than 30 years writing and drawing "Donald Duck" and "Uncle Scrooge" comic books, Disney Legend Carl Barks retires from creating the books on this day in 1966. Although most fans of the comics don't yet know who draws those wonderful stories, over the next few years a large following begins to build.

Carl Barks didn't realize how influential he was with his Disney tales until well into the late 70's and early 80's. Always the humble man, he reflects back on his stories with surprising modesty.

We will not see another talent like his in Disney comics until the 90's gives us Don Rosa... known affectionately to some fans as "the lost son of Carl Barks"(more on him in a later post).

Friday, June 29, 2007

Make Reservations, The "Ratatouille" Is Delicious...



Ok.

Nothing else to say, but go...

Go now.

Go see Pixar's "Ratatouille".

It's out...

it's by Brad Bird...

it's great.

It's a feast for animation lovers. Enjoy!

Thursday, June 28, 2007

Great Big, Beautiful Tomorrow...


Well, as you can see...

There are two things I want tomorrow. "Ratatouille" opens in theaters and I want to go see it again.

The other is the iPhone.

I want one! I know it's a first generation product and I'll probably wait for the iPhone 2.0 which will have more features, cost less and have better coverage... but I still want one. It really is nice to have the largest share holder of the Walt Disney Company be such a marketing genius, isn't it? Imagine with Steve Jobs on the Board what the future holds for the Mouse?

I can think of a few things, but they'll have to wait for a future post...

Everything "Relative" to Ratatouille...


Tomorrow "Ratatouille" opens. I figured for any fence sitters I'd post the links to some media to check out so as to try and persuade you:

There's the 9 minute clip that shows the incredible heart this film has.

There's the two rough animation tests they did called “Emile’s Workout”.

There's a lot of images from the film you can get if you want to as well.

And then "You Tube" has an official site for the film with a whole lot more videos on it.

Last, but certainly not least is this article on Brad Bird in the Hollywood Reporter which is all about what an amazing genius he is.

Now if this doesn't convince you to go see this movie... please leave your address so Brad Bird can send some goons to beat the living crap out of you! Hehe...

Seriously, go see this movie. It's great.

First Sighting Of The Black Pearl...


On this day in 2003, Michael Eisner and the other Suits from the Team Disney building had the premiere of "Pirates of the Caribbean: Curse of the Black Pearl" at Disneyland.

The movie that the executives tried to kill TWICE goes on to make 654 million worldwide... and then they loooooooooved Johnny Depp. Eisner tells the media that there will be no more movies based on theme park rides.

On that note: The first draft of the "Jungle Cruise" script should be turned in to the Suits at the Team Disney building this fall...

Wednesday, June 27, 2007

Pixar's Lucky Charm...


If you're a fan of Pixar then most of you know that one voice is familiar through all eight of their films. With all the success that they've had as an animated studio the one thread that binds them, with the exception of John Lasseter is the actor that has played a part in each film...


John Ratzenberger.

Those of you that have a good knowledge of Pixar's films will remember him as:

Mustafa in "Ratatouille"
Mack in "Cars"
Underminer in "The Incredibles"
Fish School in "Finding Nemo"
The Abominable Snowman in "Monster's Inc."
Hamm the Piggy Bank in "Toy Story 2"
P.T. Flea in "A Bug's Life"
Hamm the Piggy Bank in "Toy Story"

He's Pixar's Lucky Charm, so to speak...

Born in April 6, 1947 in Bridgeport, Connecticut. John spent a good deal of his early life in small roles that most people would not know about. He was in "Gandi" but they dubbed his voice. He was buried alive in "Creepshow" and how many people remember him as a Rebel Soldier in "The Empire Strikes Back" named Major Bren Derlin? He had one line in that iconic film about shutting the shield doors for the night.

It was cut...

He spent many years in England where he became known for his stand-up with the English improvisational troupe "Sal's Meat Market". One day when he was in Los Angeles, John's agent called and told him to go audition for a role on a pilot that takes place in a bar. He went in and the reading didn't go over very well. The Producers of the show thanked him for his time and he started to leave. Right as he was about to walk out of the room he paused, turned around and asked the Producers:

"Do you have a bar know-it-all?"

To which they said: "What?" He told them, every bar he's been in has some person that rambles on like they know everything and then he proceeded to pick up objects around the room and make up ridiculous stories about their origin. The Producers laughed and thanked him for his time. He left thinking that he at least entertained them to make up for the really bad audition. A little while later he got a call. The show he auditioned for had created a part for him based on his "stick", the little routine he performed for them. And thus, Clifford "Cliff" Clavin was born. The show was "Cheers" and the rest is history.

In the early 90's when John Lasseter was looking for distinctive voices to fill the characters of Pixar's first film "Toy Story" he chose John because of his distinctly sounding voice and for the second time, the rest is history. John is a firm believer in Pixar's philosophy. "GM could learn a lot from Pixar's business model." He's been quoted as saying. He still is very close the folks up in Emeryville as his is one of the Pixar softball team. In fact, he had refused to play in "Toy Story 3" when offered the part by Disney unless Pixar was involved.

John is very active in the pro-ecology movement, having founded a company called Eco-Pak, a conservation minded packaging firm. He's still very active in doing voice work and does countless commercials, some even as know-it-all, Cliff Clavin.

John now hosts a series on the "Travel Channel" about things made in the USA called "John Ratzenberger's Made in America".

Oh, and he has a small part in a new "little" movie that comes out next year called "Wall-E"...

Tuesday, June 26, 2007

Remembering Happy Birthdays...


Today also would be the day that one of Walt's original "Nine Old Men" was born. Wolfgang "Woolie" Reitherman who went on to animate many Disney classics as well as direct several others like "The Sword In The Stone" or had a tremendous influence on a wonderful film like "The Many Adventures Of Winnie The Pooh" came upon this earth on this day in Munich, Germany. Thankfully, his family immigrated to America and settled in California... and we're all the better for it.

Woolie, you are missed...

Summer Reading...


It's summertime and like everyone, I'm doing a little reading on my road trip. If you're a Disney fan like myself and really enjoy finding out more about Disneyland, Imagineering or just plan even a little Disney trivia may I suggest you go over to Mouse Clubhouse. It's a really great website ran by Scott Wolf. There you can read his great collection of interviews that he did with Marc Davis, Dave Smith and several other Disney Legends.

Go have a look, check out the interviews and thank Scott for being kind enough to put all his interviews online for us all to enjoy.

Monday, June 25, 2007

In Memorium: Piglet


Just one day after Paul Wincell passes away, actor John Fiedler, the voice of Piglet passes away at the age of 80. Winnie The Pooh will miss him greatly...

Though shy and timid, he, like his character will live on in the hearts and minds of children the world over.

Sunday, June 24, 2007

Will The Princess Be Real?


Just a small note before I head out the door...

At a press junket for Brad Bird's new movie "Ratatouille", IESB's Robert Sanchez tried to find out more about "Princess Of Mars"... particularly if it would be live action or animated?

He got the answer.

It will be both.

Both? Pixar will use live action and animation to bring the chronicles of John Carter to life. So it appears we may see human actors appearing along animated creatures and enviroments. No word yet as to who would be directing it... although sources seem to lean toward Andrew Stanton being the most obvious prospect.

Also of note, Brad Bird confirmed that he was indeed working on 1906 as his next project.

The Journey Is The Reward...


Posting will be light over the next couple of weeks as I'll be off on a road trip seeing as much of this great country as I can, speed limit permitting, of course.

If you see a guy driving along with the sun-roof open and a pair of Mouse-Ears peering out... wave, it may be me! Seriously, I'll post some over this time, but not near as much as I have lately. I'm going to be too busy taking photos and enjoying a much needed break from dealing with certain people that always demand deadlines(you know who you are!).

Updates will resume normally in July...

In Memorium: Tigger


On this day in 2005, Paul Wincell, the voice everyone knows as "Tigger" passes from the earth. He was 82 years old. He made his debut as Tigger in "Winnie The Pooh and the Blustery Day". My favorite of the three shorts that make up the movie "The Many Adventures of Winnie The Pooh" which won the Oscar in 1968 for Best Animated Short.

He will be remembered.

TTFN...

Saturday, June 23, 2007

Blue Sky Alert-America (Anaheim): Tremors...


Remember that movie, "The Lord of the Rings" Where they mentioned One Ring to rule them all? Well it's starting to appear that this Ring wasn't made for the Dark Lord Sauron... but more for the Bright, Optimistic Lord John Lasseter. He's become very powerful... and he's got a lot of friends that add weight to that power. Friends like Steve Jobs, his old employer and the largest single stock holder in the Walt Disney Company. Like his partner Ed Catmull who is like the other side of the coin when it comes to running the animation departments. Like Dick Cook, the head of Walt Disney Pictures, who has tremendous respect for John. And then the main man himself, Bob Iger. He may be Uncle John's boss, but he respects him and has given him a wide degree of latitude when restructuring much of the company.

I'm sure if you're a Disney fan then you've already heard that the parks each have a new master. A very good idea that the powers that be have come up with to "guide" each park and make sure someone is looking out for it. This happened before in DAK with Joe Rohde, but nowhere else in the resorts. Until now.

Tony Baxter is in charge of Disneyland and will be concentrating on maintaining the high quality that has become the norm since Pressler left and Matt Ouimet took over. There are a few projects that he wants to get to work on, but that will be the focus of another update later this year. This update will mainly be on DCA.

Now, Tony may be in charge of Disneyland, but who is in charge of Disney's California Adventure you ask? Those of you that follow Imagineering will recognize his name...

Bob Weis.

Those that don't know his name... shame on you! Bob is a great Imagineer. He left the company several years ago after tiring of having to deal with Eisner and Pressler on so many projects that died of neglect or downright murdered by Eisner and his Polit-Buro style of managing creativity. Bob is the designer of Disney-MGM Studios Paris and NO that is not what is built next to Disneyland Paris right now. Bob's version would have been bigger and much grander than our very own in Orlando. Think of it as a steroid version of what Florida got. The crushing financial disaster that EuroDisney became destroyed any chance of seeing this park come about. The park we got was a small, hodge-podge of decide by committee concoction the Suits came up with. But I digress, Bob also was responsible for the "Disney's America" project that was a labor of love for Eisner until the company made so many political missteps that this park died under the weight of it's own complications. Bob was lured back to WDI with promises of much more control than he'd previously had and Lasseter's pitch apparently worked. It takes a lot to get a man to leave a company he started(Design Island) that still has several projects in development. Now, if I can just get Lasseter to do the same with the Kirks and their Kirk Designs, Inc... then I'd be in Imagineer-Geek heaven! But back to the business at hand. This was an important week at Team Disney Burbank...

The meetings have happened. The proposals have been proposed. Now comes the decision. Oh, what a decision. There are major changes happening in the resort that started it all. The Earthquake has happened and now the tremors begin...

Tremors...

Tremors that will be felt all the way through the Anaheim Resort. "The Happiest Place On Earth" will be even happier...

Well it appears Al was right about the high end of the proposals. Well over a billion for the "high-end" proposal. Almost a billion and a quarter for the top price for this expansion or reboot as some are calling it.

Most likely, it appears that Iger will give a lot of weight to Lasseter's arguments for addressing the flaws of the park. Maybe not all his arguments, but most of them. We probably won't see the high-end, but far more than anyone expected will be allocated to DCA. Much, much more.

And you know what the great news is? I'm just talking about DCA... this has nothing to do with the lovely, new hotels that will be added or any attraction that is currently being built. This budget has NOTHING to do with any of those. All this money will be directed towards totally new attractions and theming. And that's a lot of theming my friends. Amazingly cool theming...

The proposed plans for the park are much more than I could ever have imagined. The designs for Paradise Pier will simply turn that area into a gorgeous detailed Disney theme that draws on the best parts of the past. This will be "the" area to go to in this park. The early "Mictorian" feel of Del Coronado or the Grand Floridian will give you the essence of what to expect. The designs I've seen remind me of the artwork Dan Goozee created for the Plaza Inn section of Disneyland Paris. This will also be the first section done when the "Wonderful World Of Color" water show premieres in 2009.

That's not to say that the rest of DCA won't be getting the layered treatment. Almost everything will get some form of "plussing". And this new plan will not end when DCA celebrates its 10th anniversary. This is a decade long plan. A very well thought out plan. One that includes an incredibly different entrance. One that evokes old Los Angeles, lots of lush trees and greenery. Bye, bye plaza... hello Hollywood! Like walking back into the world Walt encountered during his early years in LA. One might expect to find Clark Gable or the Marx Brothers walking around in front of you. It brings up that kinda feel. Main Street USA will finally have some competition across the Esplanade.

I can truly say that if Lasseter's vision gets approved, and there's a very good chance it will, DCA will be one of the most lavish Disney resorts... transformed from an ugly duckling to a beautiful swan within the next decade. These plans are big and bold. There's talk of expanding the park to where it can handle almost as much as the current Disneyland's capacity. There are many in WDI that are on pins and needles just waiting for the approval of these designs so they can get to work on turning this park into a Disney jewel.

Those of you that have been impatient for news should be rewarded very soon. There should be announcements as to the focus of the resorts made public within the next few weeks. That's right... unless Disney gets cold feet about making it public... the news should be going out over the airwaves by end of summer at the latest.

Now as for the rest of the resort. Those stunningly beautiful hotels and that expansion of Downtown Disney? Well that will have to come in an update sometime in late July.

Till next time...

Friday, June 22, 2007

Ratatouille World Premiere Tonight...


"Rats! Rats! I keep seeing that rat!" - Chef Skinner

And now the world will start to as well...

The world premiere of "Ratatouille" is tonight at the Kodak Theater in Hollywood. If you love Pixar, easily star-struck and are near Hollywood Blvd, go check out the spectacle... most of the films stars will be there.

Patton Oswalt, Janeane Garofalo, Brad Garrett, John Ratzenberger, Lou Romano, Peter Sohn, celebrity chef Thomas Keller, Julius Calahan, Jake Steinfeld, producer Brad Lewis and of course, writer and director, not to mention brilliant, Brad Bird will be there.

The stars start to arrive around 6 and the movie starts at 7. I'm sure all the shows will have coverage of it Monday...

Rescuers Came Today...



On this day in 1977 Walt Disney Production released "The Rescuers". A bright spot in the cloudy sky of 70's Disney animation.

The story of a pair of mice from the Rescue Aid Society who receive a message in a bottle from an imprisoned orphan. Bernard and Miss Bianca go on an adventure into murky swamps to find the little girl held captive by evil, treasure hunters. Bob Newhart's performance as the understated Bernard is a pleasure... especially when matched with Eva Gabor as Miss Bianca an upper-class, socialite mouse. Wolfgang Reithermana (Sword in the Stone, Jungle Book) co-directed this film with John Lounsbery (The Many Adventures of Winnie the Pooh) and it's a real charmer. With a classic Disney villain by the name "Madame Medusa" played superbly by Geraldine Page.

As a note, originally the animators were going to bring back "Cruella de Ville" before deciding to create a totally new villain.

Getting The Word Out...


I guess Disney's trying to get the word out that it's no longer called "Walt Disney Feature Animation". A friend sent me this ad from the Annecy Animation Festival's program. I guess they want everyone calling it "Walt Disney Animation Studios" and to stop using the acronym: WDFA.

Now that you've got the memo... remember it or Ed Catmull will come put some hurt on ya!

Thursday, June 21, 2007

The Glendale Kingdom's Influence Grows...


This is sort of a follow-up to my "John Lasseter's Glendale Kingdom" article. If you remember I mentioned Uncle John's growing influence within the Walt Disney Company. How he's slowly taking all the creative parts that involve animation and the parks and is consolidating them on the campus in Glendale where he'll have more control over them.

My post about John Lasseter's grip over DisneyToons tightened more on Tuesday. Sharon Morrill stepped down from her position as head of DisneyToons. As one source told me in an e-mail: "Ding dong, the witch is dead". Clearly, there was bad blood between the animators and some of the Suits. But Morrill was not liked by my sources... in fact, some of the words they used to describer her are very "un-Disneylike".

Even Jim Hill is reporting the demise of the Sharon Morrill after 13 years of what one animator described as: "making lots of money while raping it's classic characters". This spells the end of the "cheapquels". From now on Alan Bergman will control DisneyToons with a LOT of influence from Uncle John and Ed Catmull. Maybe we'll start to see this division make a great deal of money without having to pimp the classics.

Bob Iger is clearly showing a great deal of respect for the Creatives. It's so refreshing to have an executive who doesn't have to always BE the spotlight. He understands that if he just gets out of the way... Great things are possible.

Now that's what I call influence.

Stitch Lands, Esmerelda Dances, Roger's Framed & Dorthy Returns...


For some reason June 21st was used to either premiere or release a lot of Walt Disney Films... for instance:

Lilo and Stitch, Walt Disney Pictures 41st animated feature and the last truly great hand drawn film it has made, opens in America in 2002.

The Hunchback of Notre Dame, the 34th animated film goes into wide release in 1996. The film marks a darker tone in story and is considered by Roy Disney a mistake and shouldn't have been adapted as an animated feature.

Who Framed Roger Rabbit premieres at Radio City Music Hall in New York City in 1988. This combination "LIve Action/Animated" film marks the first time characters from several different companies (Disney, Warner, MGM, Republic and Turner) were seen together. It also is the primary reason Steven Spielberg stops working with the Walt Disney Company after becoming frustrated with Michael Eisner's abrasive personality.

Return to Oz, is released in America in 1985 to lukewarm box office. The film is a combination of several of L. Frank Baum's Oz novels which, coincidentally are all owned by Disney with the exception of "The Wizard Of Oz".

There must be something special about that day... hmmm?

Wednesday, June 20, 2007

Prince Of Persia: Blue Sky Script Review...



Prince of Persia: The Sands Of Time

Written by Jordan Mechner, revisions by Jeffrey Nachmanoff.

This is the script for the film based on a video game that Jerry Bruckheimer is going to produce with Michael Bay directing.

As many of you will remember if you've read this blog regularly, I posted about the review of the script for POP that "latinoreview.com" did a week or so ago.

Imagine my surprise when a copy of said script arrived on my doorstep in a manila envelope marked: "Top Secret"... ok, ok... that's a little bit overly dramatic. Let's just say I have connections that have connections and someone sent me a copy of this. Now for my review of the script:

Wow.

Really big, wow...

This is going to be an EPIC movie. Think of it as "Gladiator" set in the world of "1001 Arabian Nights" with a little of the time travel from "Back to the Future" thrown in. Michael Bay has the Herculean task of casting, filming and completing this Arabian adventure in less than two years. We should be hearing about casting soon if this one is to meet its release date.

As I said before, I'm not a fan of the game so I don't know how faithfully it was followed. Now...

Prince of Persia: The Sands of Time is the story of Dastan, a twenty-something handsome Prince of a large Persian empire during the 9th century. Dastan is noble and wise for his age. His ambition is to make something of himself so that he may honor his father. In otherwords, he wants glory, not gold. He has three Prince brothers: Farhad and Farhan, two older twins who are politically conniving out for treasure and power and the oldest, wise brother named Tus, the heir to the throne of their father, King Shahraman. And then there is Nizam the Royal Adviser... a very "Jafar-like" role.

Anyway as you know if you've read the "Latino Review" article... the story starts with a huge Persian army and the introduction of Dastan. His intro is very much like Indiana Jones in Raiders where we see him from behind as we focus on the others around him. He's waging a gambling game with some of the warriors. These warriors don't yet know he's a Prince. We're shown in these scenes the character of Dastan and he is no typical pampered prince.

The story establishes there have been a great many battles waged and we see them torturing a prisoner to find out how their enemy is getting weapons. Listening to the pleading screams of the prisoner, Nizam tells the Prince what he interpreted during the interrogation. The ancient city of Alamut has been supplying weapons to the enemy.

A huge battle takes place as the army lays siege to Alamut. This is the part of the story where Latinoreview talked about the Parkour fight, which was a great scene, but from his description I expected more. It's here that we are introduced to the female lead, Princess Tamina, a lovely vision of beauty and intelligence. Think of her as an Arabian Princess Leia. As the city falls she hides as a slave girl. There's a scene with a fight between Dastan and a guard where he(Dastan) accidentally kills the guard and finds a beautiful dagger on him. Tamina sees him with the dagger and takes him for a common thief.

She plots to get the dagger back... why? We don't know but obviously it holds some power... why else would she want it so badly? As they are leaving the city, Tus decides to stay behind and find the hidden weapons that Alamut has been giving to their enemies. The three other brothers head back to greet their father the King and tell him of their victory.

At the King's palace, a grand banquet is being held in his honor. His guest(all male) are gathered in a grand room. It's here that Dastan sees the attractive Tamina, captive and forced to serve food to the gathering. He flirts with her, thinking she is but a beautiiful slave-girl. Dastan brings the King a present, a beautiful robe. Touched, his father tries it on. We can see that the King has a special relationship with his father. Something happens, smoke begins seeping from the robe. The King is starting to feel hot and then screams as the robe attaches itself to the his body, literally burning him to death. Everyone immediately thinks Dastan has killed his father and arrest him. Confused at what has happened, Dastan breaks free and flees. As he's trying to get out of the palace he winds up coming face to face with the slave-girl Tamina again who helps him escape.

Hiding and on the lamb, Dastan plots a way to find out who's responsible for killing his father. It's while with Tamina that Dastan discovers the power of the dagger. It literally bends time and goes backwards, all the while the person holding it notices what's going on. Traveling with a large group of Gypsies that they've hooked up with Dastan and a distrusting Tamina attempt to get back to the city of Alamut. Dastan must confront his brother, clear his name and avenge his father.

We just passed the halfway point... about 80 pages into a 128 page script. The story is quite epic as you've read if you took a look at Latinoreview's synopsis of it. It's a fun read. A grand adventure, I imagine this will be a great summer tent pole for Walt Disney Pictures.

The characters are well rounded and fully dimensional. And although it's nothing we haven't seen before, with the right actors it could be a great film. I pictured Adrian Grenier from "Entourage" as Dastan. He would be perfect casting. If Salma Hayek or Penelope Cruz were about ten years younger either one could play Tamina, but it'll have to go to some new Hollywood actress... how about Rosario Dawson or Aishwarya Rai? I was half worried about a scene with a giant hour glass which is part of the game apparently. It works, I'm curious to see how Bay and Bruckheimer pull this one off. I don't know what revisions have been made to the script I have... Hollywood always likes to have revisions. How else is a Suit going to lay claim to a movie if it's a hit?

All in all a very good read. Although I must admit that I read "The Mummy 3" script last year and enjoyed it much more. Which makes me curious to see what Alfred Gough and Miles Millar are doing with the script for the "Jungle Cruise" movie. But all that said, "Prince of Persia: The Sands of Time" should be a great popcorn movie. With Bruckheimer at the top of his game and Michael Bay providing direction this could be the start of Disney's next big franchise.

We'll keep a watch on casting announcements and other news...

Tuesday, June 19, 2007

Disney Moves "Upscale"...


It appears Disney Consumer Products are taking the opportunity of the release of "Ratatouille" to expand into a more upscale market. The Washington Post has an article that talks to Disney Consumer Products Chairman Andy Mooney who waxes on about the strategy for merchandising "Ratatouille":

"Given that so much of the movie is set in a kitchen, it's fairly logical to go from there to a high-end collection,"

Did you like the movie? Well then, how would you like to have food from the restaurant in the movie:

"For the first time, Disney will offer red and white wines to compliment the film's backdrop, a five-star Parisian restaurant, as well as cheese platters, both from Costco Wholesale Corp."

Just like a short while ago Disney ventured into upscale furniture, now they're moving into expensive edibles:

"The upscale marketing push marks a different approach for the company, which for decades made its mark using the mass appeal of family-oriented movies, theme parks and related merchandise."

How do you like that? The Mouse is going to start selling goat cheese... I wonder if they will try to sell us ready to eat frozen dishes of "Ratatouille"? If so, I hope it looks and taste as good as it does in the film.

The New 2007 Model...


Lots of people have noticed it... I know I've seen it. When "Cars" came out last year and only wound up making 462 million that everyone declared it a disappointment. But in the last six months I've noticed more and more "Cars" merchandise. Every time I see a group of kids, I notice one of them having a "Cars" backpack, Lighting McQueen T-Shirt or shoes with the logo. It seems I wasn't just having a hallucination... wondering to myself "Did I like that movie more than I thought?".

Take a look in Variety today for a nice article about the booming market for "Cars" and how it's not just continuing... it's really in demand:

"While many refuse to rank "Cars" as Pixar maven John Lasseter's finest two hours, its merchandising campaign has become a global phenomenon. A year after the motion picture release, a sojourn to a local Toys R Us will reveal collectors -- boys to men -- on the prowl for the new shipment of Mattel-made die-cast miniatures, with the movie's extensive ensemble of characters yielding an endless array of product iterations (Dinaco Blue Chick Hicks, anyone?)."

It's kind of shocked the experts and perhaps Wall Street will now take a second look at this:

"Do you think anybody knew it would have these kinds of continual legs? No way," says the merchandising topper for a rival studio. "I've just been impressed. It's doing this without anything supporting it in the marketplace."

Over a year after the movie was out in theaters, "Cars" is expected to pull in 2 billion dollars for the Mouse this year... that's "Winnie the Pooh" sized numbers there people. Uncle John appears to be having the last laugh on those critics lamenting the disappointment that "Cars" was for Disney.

Money talks and those Wall Street critics are speechless... or perhaps they'll act like Mater and say: "Dat gumb!"

Mouse Traps...


There's an interesting article by Kevin Yee over on Miceage. He speculates about the Location Based Entertainment(LBE), not to be confused with Urban Entertainment Centers(UEC). The UEC are an example of what's currently planned in Japan with it's third gate. This will more closely resemble a theme park combined with a mall and theater setting. The LBE, from what I've been told is more of a hotel with value added entertainment added on. Basically this is Disney's attempt to get some of the vacation money people spend when travelling around the country where there aren't any Disney parks... essentially this is a "Mouse Trap". Jay Rasulo tends to think that if you're not going to go to a Disney resort then they can hopefully get you to stay at one of their hotels with Disney's added benefits. Exactly which cities he's planning for this was up in the air when I last heard... although the obvious candidates were New York, Chicago and a couple properties in other tourist hot spots. The whole thing boils down to money. How much will it cost the Mouse and how much the Mouse is willing to pay...

The article also talks about the MGM name changing drama that is still going on. Unless MGM has done an about face then trust me on this... A NAME CHANGE IS COMING. Now, it may not be Disney-Pixar... but it will be changing. There are contractual obligations here that simply can't be overlooked. Nothing is set in stone, but some of my contacts hinted about a fall announcement(read: October/November). What it would take for MGM to give it's blessing to keeping the name would be more than Disney is willing to give in my opinion. Things are really fluid at the lot in Burbank right now. It's a strange time... but one with positive signs. The "Creatives" actually have more say at Team Disney than they've had in a long time. There are still too many Suits that want their fingers in the pie, but for a change the Creatives are being treated with a little respect.

Time will tell...

Monday, June 18, 2007

Walt Disney "Most Respected" Artist...


The BBC News has an article showing a poll about asking people who is the artist they most respect.

Walt Disney was the "Most Respected" artist among 18-25 year olds, and number four among all ages(Leonardo Da Vinci was number one... who's he? Just kidding.).

The Top Five Art Heroes (18-25) are:

1 Walt Disney
2 Peter Kay
3 Banksy
4 Leonardo da Vinci
5 Bob Marley

The Top Five Art Heroes (all ages) are:

1 Leonardo da Vinci
2 Bob Dylan
3 Andy Warhol
4 Walt Disney
5 Peter Kay

It shows what a lasting impression the "Old Maestro" has made forty years after his passing.

Mythic African White Ape Found In 1999...


Walt Disney Pictures 37th animated feature was released on this day in 1999. The Mouse's retelling of Edgar Rice Burrough's story of a white man raised in Africa by apes does well at the box office, but doesn't equal the earlier "Second Golden Age" films.

I've always enjoyed Disney's interpretation of Tarzan, but felt like it was incomplete. There was something missing from it's story and the film's ending felt rushed. Buy hey, that's me... it's actually one of my best friends favorite Disney films. So to each his own... lets celebrate Disney's Tarzan on its 8th aniversary.

Sunday, June 17, 2007

Pirates Keep Finding Treasure...


Having been out 24 days, "POTC: At World's End" has amassed $820,757,000 globally. Of that, $547,000,000 or 66.6 percent of it's box office is overseas gross and $273,757,000 or 33.4 percent is domestic gross. By the time it's been out a month the take should be well over 850 million... not bad for a franchise that Michael Eisner almost killed. Twice.

By contrast, "Spider-Man 3" has taken in a total of $868,223,227... a little less than 50 million dollars more that Pirates. Johnny Depp's film may not overtake the webslinger but it could make it close. I know Jerry Bruckheimer is busy with "Prince Of Persia" and "The Lone Ranger", but there are already Mouse executives that are dropping hints about a fourth film. The good news is Johnny's said if the script is right, he doesn't mind a fourth or a fifth.

Somewhere a Suit wet his pants when he heard that.

Ratatouille: Blue Sky Movie Review...


Brad Bird is a genius.

I know, I know... I've said that before. Many times before I've mentioned how I think he's brilliant. I'm sure the only phrase I've said more on this blog is about how John Lasseter is possessed by the ghost of Walt Disney himself. But it's so true...

Brad Bird is a genius.

This film has everything we expect when we go and see a Pixar film. It's entertaining as hell. It's intelligent, never talking down to the audience. It's beautiful to look at.

Strangely, the movie it reminds me most of, "tonally" at least, isn't a Pixar film. I guess maybe because of the romantic atmosphere and all it reminded me of "Lady and the Tramp". It just has that feel... that lust for life.

I know that Brad took this over when it was deep in development when Jan Pinkava couldn't rap his hands around an acceptable story. They immediately asked Bird to step in and takeover the troubled project so it could still meet the targeted release date. Now under normal circumstances this would have turned out to be a disaster. This is Pixar and they are anything but normal. Bird took over, did a complete rewrite and the production team worked overtime to make up for the story problems.

And in a little more than a week, everyone will be able to see the results of Brad Bird's film for themselves.

Did I like it?

You're kidding, right?

Is it Pixar's best?

No, it's not.

It's a wonderful film though. If you'd ask me to rank Pixar films from favorite to least favorite I'd have to say...

# 1 The Incredibles
# 2 Toy Story 2
# 3 Toy Story
# 4 Finding Nemo/Ratatouille
# 5 A Bug's Life
# 6 Cars
# 7 Monster's Inc.

Now, don't anyone start to rag me because I ranked Monster's Inc. last... it's just the one I liked the least, but a Pixar film at its worst is better than most films at their best.

This film is filled with love and charm in every frame. We know five minutes in that we are going to have a great time. Bird really establishes the film from the get go. You're never bored, you're never not interest in the characters. The Pixar "Brain Trust" can clearly be seen working its magic. They know how to tell a story and Brad Bird knows how to weave a narrative plot-line like few can. The film starts out in the French countryside where Remy(Patton Oswalt) lives with his father, Django(Brian Dennehy) and their brood. We can see right from the beginning that Remy is different from all the other rats. Even his lovable brother, Emile(Peter Sohn) doesn't understand why Remy has to be different. Why he can't just accept a rat's position in life. But it's around Emile that Remy can at least be himself. Talk about his love for food. His desires to do more than rummage through trash for something to eat. After a tragically funny scene the Rats have to leave their home in the country and Remy gets separated from his family during the escape. Remy winds up in Paris after a long journey down a dank, dangerous sewer. It's hear that he finds his true calling. But in a city where food is elevated to an art, a rat is the last thing one thinks of when imagining great cuisine. A rat to food is like oil to water. Bird weaves the tale, putting Remy in a position where he finally has the opportunity he's waited for. Remy through a series of events winds up using the simple minded Linguini(Lou Romano) as his puppet as he sets about creating his cooking masterpieces. The nemesis in this story is the devious, short chef, Skinner(Ian Holm) who we delight in watching as he thinks he's going mad when he keeps seeing rats around his restaurant. I won't go any further into the plot... if you want to know more you need to watch it yourself.

If you're a fan of Pixar, animation or just good filmaking... when it opens on the 29th go and buy a ticket. It's a great way to spend an evening. Most films end and people leave quietly... at Pixar films they applaud... and then they tend to stay quietly. Respecting the credits of these talented people as they scroll up the screen. When the lights came up on the sneak preview I saw, I heard a lady behind me say: "That was worth twice what I paid for it". Her friends laughed and agreed... I couldn't help but think what word of mouth will mean for this film. At work on Monday will she tell everyone about it? If she does, her saying she'd pay twice as much for it will be priceless...

D-Day...


I remember Al Lutz over at Miceage mentioned a big meeting this week where Bob Iger will go over three different design plans that range from 700 million to 1.2 billion. Now, I don't know about those amounts, but he is right about a meeting this week. There have been several gatherings amongst the troops already. The "Big Meeting" is about to happen...

Uncle John and the Imagineers are supposed to present Bob what they think is the best focus for the Disneyland Resort and DCA in particular. From what I've heard, these are all pretty dramatic alterations of what DCA is right now. Once he looks them over he'll make a decision about what mix of the proposals he's willing to move forward with and ask the Board to approve the funding.

So all you people out there that keep whining about "When are they going to do something?"... well, you're about to get your answer. By the beginning of July the Walt Disney Company will be moving forward with a plan. Exactly what that plan is?

We'll know very, very soon.

Happy Father's Day!


Happy Father's Day!

Wish someone's dad a HFD everyone. If not your own, your friends, your uncles or even your dads! Wether you're having a traditional barbeque cookout, taking him to lunch, dinner, a nice relaxing game of golf or dare I say it?

Taking them to Disneyland?

Here's the one day we guys get a little respect around the house... who am I kiddin'? Hehehe...

Anyway, go out and show dear ole' dad a good time!

Saturday, June 16, 2007

Critics Speak! And Audiences Start To Weigh In...


Even before the sneak preview tonight people are starting to tell us what they think about Brad Bird's latest film, "Ratatouille"...

What are they saying?

""Ratatouille" is delicious. In this satisfying, souffle-light tale of a plucky French rodent with a passion for cooking, the master chefs at Pixar have blended all the right ingredients -- abundant verbal and visual wit, genius slapstick timing, a soupcon of Gallic sophistication -- to produce a warm and irresistible concoction that's sure to appeal to everyone's inner Julia Child." Justin Chang, Variety

"By the end of the film, the audience was literally roaring with delight over the nimble twists the film navigates. I've been to early screenings where the free-ness and the excitement of seeing something early can make a crowd a little more enthusiastic than a film might actually warrant, but in this case I'll give the credit to the film itself. The crowd was applauding before the closing credits even started rolling." The New Cruelty, Ain't It Cool News Fan

"Brad Bird and Pixar Animation Studios are proving to be an unbeatable combination. Bird, the cartoon writer-director with delightfully off-kilter sensibilities, and Pixar, the cutting-edge computer-animation company that places so very much emphasis on character, have their second hit together in "Ratatouille," a follow-up to the universally popular "The Incredibles." Who would think a rat in a restaurant's kitchen would induce anything other than comic slapstick involving knives and cleavers flying in all directions? Yet Bird builds a comic world in which a rat can become a chef and food can take on an almost unbearable sensuality." Kirk Honeycutt, Hollywood Reporter

"I’m floating around on a Pixar high this week after seeing "Ratatouille" for the first time, and the only bummer about my screening was that there was no trailer for "Wall-E"." Moriarty, Ain't It Cool News

"Everything Brad Bird touches turns to gold, so when Pixar’s Ratatouille faced production troubles Bird was brought in mid-stream to fix it. It worked. Ratatouille continues Pixar’s unbroken string of filmmaking successes" Josh Tyler, Cinema Blend

"I sadly can't tell you how I feel about RATATOUILLE... sniffle... I wish I could... I wish I could share with you the feeling I had watching this __________ ______ Movie!!!" Harry Knowles, Ain't It Cool News

"In my opinion, this film was probably the funniest Pixar film made yet. It had great animation, great voice acting, great creativity, and great everything else!!! This is the first Pixar film that I heard all of the audience laughing throughout the movie. Kids and adults of all ages were in attendance. My dad even said it was the funniest Pixar film yet." Jv Is Tiz, JV Pixar News

"This film is very magical in ways that not only the best of Pixar has brought us, but the best that Disney used to bring us. Great characters, fantastic animation, and a sense of love in creating a unique story for the cinema. The audience ate it up... literally - the ratatouille served upon entering the theater was quite delicious. This is what great family cinema can do... everyone in the theater from age 5 - "who knows" seemed to have a great time." The Brain Machine, Ain't It Cool News Fan

So far, I think people like it. Looks like Pixar has another hit on it's hands. I sure hope Uncle John can do for Disney what he's done this little company in Emeryville.

Interview With The Rat...


Over at Ain't It Cool News there's a really great sit-down interview with "Ratatouille" himself, Patton Oswalt. It's a really fun read about working on the film and Pixar in general. If you're a Pop-Culture Geek you'll really dig it. Word of warning though, it's a saucy interview so if you don't like four letter words that you'll never see in a "G" rated film then be forewarned.

Time On Iger...


There's a nice article over at Time Online that focuses on Bob Iger and his early stewardship of the Walt Disney Company. It's a pretty optimistic piece that rings all the right bells when talking about leadership.

"As his strategic goals are revamping Disney's business, Iger's loose-reins management style is breathing some air into the corporate culture. He abolished the Politburo-like strategic-planning unit that was created and run by Eisner, and encourages senior executives to be more entrepreneurial. Iger tapped Anne Sweeney, who runs Disney's television group, to negotiate the iPod deal with Apple and gave her the autonomy to close it in three days. While the Internet group rebuilt the Disney website, Iger made himself available as a sounding board but left them alone--until the one night when he personally delivered moral support, in the form of two cases of Red Bull. "My role is to create a vision and strategy and then lead people in the direction," Iger says. "But I allow them to get there on their own.""

I've alway believed in the saying: "hire the best people and get out of their way"... Iger is a refreshing breeze compared to the last two decades under Michael Eisner's leadership.

Thanks to "The Disney Blog" for the hat tip.

"Bear"ly Profitable...


On June 16th, 1961, Walt Disney bought the rights to a story about a little stuffed bear and the adventures he had with his human friend Christopher Robbins from the widow of the author, A.A. Milne. Although it was a few years before the company finally came out with it's interpretation, it was definitely worth it. It's rumored that the Mouse takes in over two billion dollars a year from this character in films, television and merchandising. Lawyers have become very rich fighting over the rights to this little fella. Both for and against Disney...

Winnie the Pooh may be a silly ole' bear, but he's a "money churning" silly ole' bear.

Pixar's Wall-E Teaser Up At Apple...


Well the trailer for Pixar's "Wall-E" is up at Apple.com's Trailers website.

Charming...

Very "Chaplinesque" if you ask me. I'm sure since it's Pixar the story will be well worth the price of admission.

Go have a look...

Walt Disney Seen With Tramp...


On this day in 1955, Walt Disney Productions premiered "Lady and the Tramp", it's fifteenth animated feature in Chicago. It was the first film Disney made in CinemaScope. A wonderful story filled with heart and romance, it's entertained audiences throughout the world for generations.

The world of eating spaghetti would never be the same...

Disney Buys Unnamed Girl...


Walt Disney Pictures has bought "The Occasionally Interesting Anti-Adventures of an Unnamed Girl", a spec script by Brian Nathanson for a low-six figures. Scott Rudin will produce.

The script focuses on an imaginative young girl who, bored by her suburban life, runs away from her strict parents and finds a fantasy world that becomes darker than she had realized. The movie is described as a cross between "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" and "The Wizard of Oz."

Friday, June 15, 2007

Blue Sky Alert-Europe (Paris)...




Bonjour.

Welcome to the first Blue Sky Alert dealing with Disneyland's beautiful, younger, European sister...

Disneyland Paris Resort.

Having just opened two of it's three new attractions at the starting point of it's fifteenth anniversary, the Resort has seen a sizeable increase in attendance over the past year. In fact, the Disneyland Paris Resort could be on in for the best year of attendance it has ever had. For the first time in a half a decade things are looking up for this troubled Disney resort.

Despite having the financial woes that it does, EuroDisneyland, err... Disneyland Paris is still the number one vacation destination in Europe. Much to the consternation of the French that once branded it a "cultural Chernobyl". Many of the French have embraced it as their own and although there are still squabbles from time to time... it appears the future ahead could be quite bright indeed.

There have been rumors about an F1 racing competition being held at Disneyland or directly across from the Resort. My contacts haven't received any concrete word about this proposal and I'm suspect to believe that it's a ploy by Bernie Ecclestone to use as a bargaining chip for another venue. It would make an interesting event, but there is no solid information I can come up with at the moment to cooberate it.

As far as Disney Village is concerned there is a proposal to expand it beyond it's current boundaries, including a theater show venue and new shops and restaurants. These are said to corrispond and enhance future "additions" to the Resort. The plans are for expanding the Resort as a vacation destination that doesn't just rely on the parks.

There are no current plans for hotels, although there are designs for hotels that were intended to be build as a Phase Two of the original EuroDisney which could be pulled out of mothballs should the parks attendance keep rising. Presuming the "heads in beds" continue to rise, that is.

Currently there are no plans to add a third gate to the Resort. The current economic climate just isn't suitable for it. If the park maintains substantial growth over the next few years and the European economy doesn't take another downturn, I'm sure there will be proposals within WDI that will peak Bob Iger's interest, but all signs now look toward improving existing venues and not building a new park that would require massive amounts of capital. Again, as I've said before... this is a good thing because it means the Resort will be getting more immersive and better attractions. And that's saying alot for a Resort that includes the "most" beautiful Disneyland park. WDI's new leadership has mounted an aggressive overview of all new projects. These projects include the plans that Imagineers have been toying with for implementation at DLRP over the next decade. Good times could lie ahead...

Like I was saying, the "most" beautiful park has been "plussed" for the fifteenth anniversary and looks marvelous. Disneyland Paris hasn't really had a major addition in quite a while. While the proposals for DLP aren't as bold or expensive as the ones for Walt Disney Studios they are still exciting plans. Unlike WDSP though, there isn't as much needed to be done to the original European Disney park. There have been proposals for the addition of a new land but so far they haven't made it very far in the blue sky phase. The most probable proposal are the addition of a new "E" ticket attraction in one of the current lands. Adventureland and Tomorrowland both have proposals that involve major attractions, although it is likely only one will be approved. The current Pirate craze has also had it's effect on some of the proposals and could affect Adventureland should some of the enhancements be approved.

There are plans for adding between two and three "C" or "D" attractions throughout the park over the next decade which could make the final cut. It won't be for at least a year, possibly more before plans are approved and 2009 before any really see the light of day.

There are plans to "plus" several areas throughout the park, but being as DLP is already richly layered, it won't be as extensive as WDLP or DCA. Plans include additional restaurants and a new proposal for a night show has been mentioned but final plans are nowhere near complete. Time will tell what makes the final cut.

It's not known yet if Walt Disney Studios Paris will get a name change like whatever they rename it's bigger, Orlando sister. It's possible if the current line-up of proposals goes forward a new name could happen by it's tenth anniversary but that's a decision that won't happen for a while.

No decision will be made on WDSP expansion and one won't be made until the anniversary is over... that being said, if the clicks going into the park keep moving up we can expect the Studio to appear dramatically different on it's tenth anniversary. The expansion of WDSP into a full day park, from the current half-day park it is will most likely not be complete by 2012, but the atmosphere would be quite different. The expansion would likely continue into 2013, like the way the fifth's will continue into next year with Tower of Terror's opening.

Anyone that's seen pictures of the new additions will note the quality of the theming. The new Toon Studio area is a much needed "plussing" of a park that was built short on rides and theming. With the opening of TOT and it's surrounding area the WDSP will get a much needed boost in appearance when it comes to representing what Disney fans expect when they go past the turnstiles. The entrance areas are getting a modest improvement in terms of theming as well. So far, the move appears to be working. The Suits are pleasantly surprised at the attendance so far...

There are several proposals that are on the table right now. WDI's leadership is evaluating each and everyone, not as a way to find what to cut but what can be added or enhanced. The final plans for this expansion wouldn't happen for years to be truthful. One has only to look at DCA to see how plans change.

The most logical proposal to move forward is for the Studio Tram Tour to be moved back for the construction of a new "E" ticket attraction. It's likely to not come about till early 2010 or 2011. It's not known if it will be an update of the Great Movie Ride or one of several other projects. A couple of proposals involve a major Disney character and one proposal is an import from another Disney theme park. The evolving plans right now involve the addition of two "E" tickets and at least four to six "D" or "C" tickets by the time WDSP ends it's tenth anniversary sometime in 2013. Cross yer fingers that the good times keep rolling and the European economy doesn't tank.

One of the proposals for the "E" ticket is based on a major movie franchise and fits in with Lasseter and the new regime's philosophy in branding the future of the Studio with a more family friendly theme. The possible addition of a new land has also been proposed in the blue sky phase. The Studio will have a more enhanced theme if most of the proposals go forward. The evoking of a more "stylized" Hollywood will be implemented and layered "plussing" of the front entrance is also under consideration with a couple blue sky ideas involving the "Golden Era" of Tinsel Town.

All in all, Disney's park outside the City of Lights is in for a good future... so long as Disney's European fans continue to rush through the turnstiles. So buy your tickets now, and keep buying and buying and buying them... Disney executives are watching. WDI is planning some pretty amazing stuff that could see the light of day if the clicks keep going up.

That's it for this update. Stay tuned for future Blue Sky Alerts in July, so long as my paranoid contacts(read: Bothans) don't get fired...

Thursday, June 14, 2007

Monorails then and now...


Also on this day in 1959 Disneyland opened up a ride called the Disneyland-Alweg Monorail System that we know today as the "Monorail". You may have heard of it? It's one of the true iconic images people think of when they imagine a Disney theme park.

The three newly designed Monorail Mark VII's trains are still tentively scheduled to start being phased in late this year and continue into 2008. They look really retro, don't you think? I bet they would look really nice gliding over a newly revamped Tomorrowland with it's "retro" theming near the beginning of the next decade.

Hmmm...

10th Anniversary Of Hercules' Premiere...


Ten years ago today Walt Disney Pictures premiered it's animated feature "Hercules" at the New Amsterdam Theater in New York.

I know that the Walt Disney Company considered the box office for this film to be a disappointment(Eisner and the Suits were upset this "Second Golden Age" film didn't gross 100 million). I've always thought it was an overlooked gem. This retelling of the classic Greek myth adapted by John Musker & Ron Clements was filled with many funny inside jokes and a bevy of memorable songs. If you haven't seen it or haven't seen it in a while, give it another look. You may be pleasantly surprised.

This was Musker & Clements' follow up to "Aladdin", their fourth team up and was made during the early days of Disney having the Suits oversee creative decisions on it's animated films. Their next film is the highly anticipated "The Princess and the Frog" which returns Walt Disney to the world of 2D animation.

"Dark" Interview with Brad Bird...


There's a really great interview with Brad Bird over at the "Darkhorizons" website. No real spoilers, just a nice talk about the film, how he became involved in Ratatouille and his belief about the state of animation in general. Go over and take a look at it. Brad is genuinely not only a great filmaker, but a nice guy. A really nice guy.

Celebrating Flag Day...


Today is the day we honor the "Stars & Stripes".

Seven red stripes...
Six white stripes...
Fifty stars...

It commemorates the adoption of the flag of the United States, which happened that day by resolution of the Second Continental Congress in 1777. In 1916, President Woodrow Wilson issued a proclamation that officially established June 14 as Flag Day; in August 1949, National Flag Day was established by an Act of Congress. It's not a federal holiday because... well, there are enough days we get off don't you think?

When I go to Disneyland they have those ceremonies with the lowering of the flag and I'm reminded of how much Walt loved this country. I believe it's appropriate we do the same on this website.

Wednesday, June 13, 2007

Creative Shockwaves...


With all the good news lately coming out of Burbank, one would think that this new found financial optimism would rub off on many in the Mouse House...

One would be right.

The success that Disneyland had during it's 50th celebration surprised everyone at TDA and TDB to the point it caused a lot of minds to change on expansion and reinvestment in the parks. Not just here, but abroad as well(I know, people keep asking about Paris, it's coming this week). We're going to be seeing what I like to refer to as "The Decade of Disney II". Only this time it'll live up to the expectations we have with the new management that is in place.

As we've seen over the past year, the Walt Disney Company and Disney theme parks in general(Hong Kong is the one exception) have had a great year. I'd have to say that Bob Iger's first year and a half on the job has been very good for stockholders, fans and himself as well. The big question is... what's next?

Now, this won't be one of my "Blue Sky Updates". I'm not going to reveal a secret master plan, but I am going to try and focus on the road that the Mouse is headed and what we can do to possibly help advance it. First off, the two latest attractions at Disneyland have done much to peak fan interest in the short time they've been open. Let's start with them first...

Pirates Lair on Tom Sawyer Island.

Now this small makeover(between 20-30 million) of the classic island that Walt himself opened up is attracting long lines. Sometimes people were waiting at least 45 minutes to go tour the island last week. It seems everyone has approved of the additions. As has been talked about before, should the crowds keep coming then we'll see a "phase 2" of the Pirate theme in another year or so that will expand out to the back side of the island. This phase would be a little more lavish(as of now almost twice as expensive) and would take a longer period to construct. I know some people think it's destroying what Walt created, but I don't picture it that way. It's simply reacting to the environment we live in the same way Walt did. Besides, if anyone had been to the island in the last year they could see the deterioration of it's features... this new theming has helped bring the island up to a much more acceptable quality attraction. Judging by the crowds waiting to board the rafts, I'd say the park guests would agree.

Finding Nemo Submarine Ride.

Now for the bigger addition. The new submarine ride, which I've seen stated as costing $150 million dollars(I can't vouch for the figure, I do know it's over 100 million) is causing lines of up to three hours. Disneyland's marketing campaign is in full force and as anyone who was there Monday could tell you... it was a busy place.

Like I said in my earlier article, if you haven't been yet and have the time please come and see it. It truly is a wonder. Those that don't want to wait in such long lines can wait till August when the lines will be a little shorter. But the ride is an extremely fun, extremely expensive update of the classic attraction that opened up in 1959. It's a great example of how you can take an existing area that has been neglected and update it to fit the desires of todays entertainment. And from here there is more to come.

It's a good time to be working for WDI. Unless a world wide recession hits, most of the parks are going to be getting a good deal of cash infusion. The success of "Pirates Lair" and "Nemo" add credibility to the argument John Lasseter and many Imagineers have been trying to get through to the Suits for the longest time.

Great attractions bring great attendance.

Disneyland is the primary example of this. The park has received a great deal of attention since the departure of Paul Pressler and arrival of Matt Ouimet. The last few years the park has been treated much better than it has in a good ten years or more. Good times will not only continue, but the pace and scope of improvements will increase dramatically over the next few years.

My suggestion to Imagineering fans out there... go see Ratatouille. If it's a hit the success will simply add weight to the argument Uncle John has been trying to make to Iger. It'll be easier to grease the wheels when the Board meets a little later this year. This is the last test Lasseter will have until "Wall-E" comes out next summer and "Bolt" comes out in November of 2008, almost a year to a year and a half from now. Don't get me wrong, they'll most likely be successful, but the only crucial point of interest Iger and the Board will be looking at will be the Rat movie. If that goes well, Iger will most likely back more of the proposals that John wants. Can you imagine the elaborate attractions that he could have lined up for construction in the next year and a half? I've heard a few of his ideas and trust me... as much as I want Brad Bird's film to do blockbuster business, it's implications for the future of Imagineering reflects even more on my mind.

The future of many projects are in flux now... as the WDI restructuring continues, the new heads are focusing on some very interesting things and making sure the things they are working on will be fully funded and funded properly. That's something that is very important. Something that's been neglected for a long time. Some of these projects are going to be extremely expensive... take a great deal amount of time and show the unbridled creativity that has been locked inside that building in Glendale waiting to be unleased. The preliminary plans that are in the process of being approved are bold and exciting for us Disney fans. Make no mistake, the future of Disneyland is quite promising. The future of Walt Disney World has a lot going for it also... Disney resorts overseas are going to be part of the love as well. But we Disney fans can help seal the deal. We can have an impact... we may not know the extent of it. But as long as Pixar's streak is unbroken the mystique of the little Emeryville animation company will only make it easier for Uncle John to do for the parks what we've always been complaining about. So again, I ask you...

Go see Ratatouille when it comes out. Make it big.

Make it real BIG.

Because it might send creative shockwaves through the halls of WDI... and we lucky Disney Geeks?

We'll be the ones to feel those shockwaves on all those new "E" tickets.

Tuesday, June 12, 2007

Iiiiiiittttt's oooooopppppeeeen...


Don't speak Whale?

That's ok, I'll translate. As of Monday the "Finding Nemo Submarine Voyage" has officially opened. If you're a Disney fan, if you're a Pixar fan, in you're an Imagineer fan or just like cool things then come to Disneyland and experience this.

It's really worth it.

For those of us that have had to suffer through the Paul Pressler years, this is a delightful peek into Imagineering's future. No lame ride this time. It's a fully emersive and layered theming experience that's an absolute must see. Want to see what John Lasseter has in store for Disneyland? DCA? The world? This ride should give you an idea as to what is in store for us.

So arrive early, bring sun block and have patience... there's a looooong line.

Under A Black Flag, Pirates Take Half Billion...


Internationally, "A World's End" has passed the $500 million mark... that foriegn take was passed in less than 17 days. The domestic gross of the Johnny Depp adventure is $253,441,723.

Somewhere in the bowels of the Team Disney building, Executives are smoking cigars and squealing like little girls as they log on to the Hollywood Reporter and drool.

Does anyone still wonder if they're thinking about making a sequel to this?

From Monsters To Retirement...


I know we mentioned this a couple days ago, but Variety had a little blurb about the plotline to "Up" that included the first artwork from the film.

"Up", directed by Pete Docter, is the story of a 70 year-old man that teams up with a wilderness ranger to fight ferocious beast and dastardly villains while still making it home in time for dinner. I wonder if the adventures are real or a sign of the old man's senility? Anyway, it somehow sounds like a much more straight forward plotline than most Pixar films, but as always we can expect a movie story that is a cut above the rest. Bob Peterson(who's also the voice of Roz) is writing the script and will co-direct the film.

The film will be released in 2009 but may be overshadowed by the press that will be surrounding Disney's "other" animated film that year: "The Princess and the Frog", Disney's return to hand drawn animation. Oh, and another thing that will probably overshadow "Up" is the preview in front of it for the next years release: "Toy Story 3".

Pixar released this painting from 2009's "Up"... purty, ain't it?

Monday, June 11, 2007

John Lasseter's Glendale Kingdom...



John Lasseter is the man with a job title that doesn't really befit him. After all, he's the Principal Creative Advisor when referring to WDI, Chief Creative Officer over at Walt Disney Animation Studios and Pixar... yet, what's his title at Disney Toons? It now seems he's being more influential over there as well with the "Tinkerbell" mess that "O-meon", Jim Hill and we here at Blue Sky have been chronicling. I mean, he's not got the final word and all over there, but his unmistakable fingerprint is on story elements that are going to be coming out of Disney Toons in the future. The "Brain Trust" at Pixar and some of the Disney feature animators have even contributed helpful suggestions to better the stories coming from there.

The new animation building of WDAS is still in the development phase with John and Ed getting feedback from artist and storytellers at Disney as to what the final form their new home should be. Imagine that? How would you like it if your boss asked you what the best environment would be for you to better or improve your work? After you would have picked yourself off the floor, I'm sure many things to create a better, more productive area would come flowing out. Most Suits wouldn't have any clue how to do this. It's a foreign idea to them that respecting ones talent and abilities is a great way to increase quality as well as loyalty. Most of the Bean Counters have forgotten this... Walt didn't. Neither it seems has John Lasseter.

He seems to be gathering more power and influence with each passing day. Executives in other divisions seek him out for suggestions and approvals even though he officially doesn't control them. Some fear him. Some even despise him out of simple jealousy. His linkage to Iger seems to grow as time passes because Bob genuinely respects John. Not forgetting to mention Ed Catmull, whose power and influence is felt as well. But his power tends to stay within the animation walls. Uncle John, as I've come to call him... well, his power seems to be seeping out into the general culture of the company. Now this doesn't mean the Bean Counters and Suits will start wearing Hawaiian shirts and acting all giddy-like. But it's a positive step in the right direction. And Uncle John knows his influence over the folks in the Team Disney building will only go so far.

That's why he's building his empire a little further away. In Glendale. On the large campus in the Grand Central Business Park where Imagineering is headquartered and the new animation building will be going up, is the quite construction of a haven. A sanctuary, if you will, for those that are the creative parts of the Walt Disney Company(read: WDI, WDAS, Disney TVA and Disney Toons Studios). This will be a place where Lasseter can cultivate talent and ideas for film, television and parks... let's not forget parks.

You see, over the past year Uncle John has learned a thing or two about the corrosive culture in Burbank. It's not a culture he likes and he's smart enough to know that to change it would be too much of a burden for one man... even he. So what he's done is to try and move all the creative parts of the company off the lot, so to speak. He's trying to center them in Glendale. This way, even a mere fifteen minutes away, he'll be able to control and cultivate the parts of the business that make Disney it's money. The ones the corporate culture find alien... these are the same people that were running around with their hands smacking their heads the night they saw the first dailies of "Curse of the Black Pearl". When one Suit was heard to say about Johnny Depp's performance:

"Oh, my god. He's playing a gay pirate!"

The executive know-it-alls even sent him notes explaining how he SHOULD play the character. LOTS of notes. Johnny didn't take too kindly to these suggestions and stood firm in how he felt Cap'n Jack Sparrow was supposed to be played. If they didn't like the way he was doing it, he suggested they fire him. Luckily for the Suits, they backed down and didn't fire him. In fact, they all love him now. Love, love, love him to death...

This is the kind of thinking people that deal with numbers do. Which is fine if what they're dealing with is numbers. But somehow, many of them got put into creative decision making. Michael Eisner over the last decade of his reign became very confrontational with the creatives in the company. Almost as a vendetta, he put the Suits in charge of creative positions to control them and pit them against one another so they wouldn't go against him.

Remember that meeting I told you about in an earlier post? The one where Uncle John told the Suits that it they didn't know how to draw they didn't belong in that building? Well that was just a subtle remark he made to let them know where they stood in his world. In his little empire... the one that's slowly gathering power, force and momentum in Glendale. It's going to let everyone in Burbank keep track of the numbers and run the Mouse's business side... but if they try and mess with the creative side of the Mouse...

It's going to be war.

They all know it. Bob Iger knows it, Dick Cook knows it, Tom Staggs knows it and Steve Jobs does too... And as long as Disneyland is having record attendance and Pixar and Disney are having more and more success at the box office... Uncle John's power is going to continue to grow. That is going to be a great thing for we Disney Geeks. We'll benefit in the beginning from the decisions he's already made in the short time he's been there. He's very involved and passionate about these things. If you don't believe me, ask some of the people he rode the Finding Nemo ride with at Disneyland last week. He cares about entertainment and quality and made sure to notice how people liked the ride. He cares about Disney's future success. And if it keeps up, there are some major decisions that Uncle John wants to make that will have profound impact on the Mouse culture from what I hear. The decisions he's already made are things that will start to see happen over the next couple years, but the other stuff he wants to do will take a little longer. That's the stuff that we'll start to notice near the beginning of the next decade. And these things won't end at the stroke of midnight like they did for Cinderella... this will be Disney magic that will have lasting implications late into the next decade for all Disney fans.

A new course had been charted... one that most of us can't see yet. But one that is bright and beautiful. Like Cap'n Jack Sparrow said at the end of "Curse of the Black Pearl" when he took the wheel and looked off into the distance ahead of him:

"Bring me that horizon".

You don't know it yet, but that horizon's coming. And boy, is it beautiful. Lovely even... and there's not a Suits or Bean Counter in sight. Now isn't that something truly great to look forward to?

I thought so...

Sunday, June 10, 2007

Thieves Thwart Pirate Curse...


It appears a bunch of thieves intent on robbing a casino in Vegas have pulled off another robbery... the crime of depriving "At World's End" from three straight weeks of dominance as the number one spot in domestic box office. That's right, those good looking, well dressed criminals from "Ocean's Thirteen" got away with $37,080,000 from a Vegas casino owned by a guy that looks remarkably like Al Pacino.

Well, I guess number two isn't all that bad. It did increase its domestic haul to $254 million and its foriegn take was $493 million. For those that are mathematically challenged, that's a total estimated draw of $747.1 million. Three quarters of a billion dollars... Not bad for a film that's considered by some a disappointment. Not everyone can be pleased, but I'd say the Mouse is pretty happy. Part three may not get to a billion dollars as "Dead Man's Chest" did, but it's still a mighty, mighty large amount of treasure to have found. The international take just keeps on ticking... seems those foriegners like Pirates.

If it's any consulation, it may have been number two here at home, but it's still number one internationally. "At World's End" is now the 23rd ranked all-time industry boxoffice hits worldwide. It is the third most successful foreign release for the Walt Disney Company, fourth-biggest worldwide grosser for the Mouse after "Dead Man's Chest", "Finding Nemo" and "The Lion King". It opens in it's last big territory, China on Tuesday. Oh, and putting things in perspective... Spidey has a total worldwide gross of 864.7 million. Only about a 117 million lead over the Cap'n, but it'll still be difficult for him to catch up even without the rum and sober.

I wonder if Jerry Bruckheimer has called Ted and Terry to ask them if they have some ideas for a fourth? If not, there's plenty of time to write a script after the new year when "The Lone Ranger" script will be done.

Forgotten Mouse Tales 3...


In another of our series of articles on scripts/pitches the Mouse had bought or optioned that went nowhere, we continue to bring you more examples of how to spend lots of money for something and then loose interest in it...

Skinner's Eddy

A girl returns to her small town home after her uncle dies to care for his estate. While home, she meets a man who seems too good to be true... and he is. Walt Disney Pictures paid seven figures for this "Romantic Fantasy" writen by Carter Beane, which was to be proded by Ashok Armitraj and David Hoberman. Adam Shankman was to direct.

Tales of Mystery and Imagination 

Miramax purchased this one for six figures. Written by Michael Chabon, adapted from his upcoming book which had tales inspired by short story writers like H.P. Lovecraft, Edgar Allen Poe and Sir Arthur Conan Doyle. There would've been a horror story, a Sherlock Holmes adventure, a ghost story, an adventure story, a science fiction story, a story of suspense, a costume or period or historical story and a sea story. This is one of the projects set up by the Mouse that I hope will come out of development hell, because this one has true potential.

Secret Service Project

This "Action Comedy" written by Jason Richman was bought by the Mouse and Jerry Bruckheimer in the early 2001 and was supposed to tell the story of a Secret Service Agent and the hilarity that insued as he attempted to do his job. Sounds funny already.

Thomas Edison Project

Walt Disney Pictures and Jerry Bruckheimer Films paid in the low six figures for this fictional story by Ross Canter, of a young, teenage Thomas Edison. In the script, he teams up with Wild Bill Hickok and saves the Union from catastrphy during the Civil War using inventions that pre-date the great devices he'll invent in the Future. Bruckheimer Films executives Chad Oman and Mike Stenson were to produce.

New York Family

Written by Heather McGowan, this comedy was about the daily trials and tribulations of a New York family. Gary Winick was attached to direct McGowan's script for Walt Disney Pictures. Nothing else is known about this one as it quicky sank into oblivion.

Black Chapter


A supernatural thriller written by Danny McBride and Len Wiseman for the Mouse's Touchstone division. This script bought for mid six figures was another violent, action movies set up in responce to the visual style of Warner's "The Matrix".

The Ultimate Low Self-Esteem Movie

Bought for half a million versus a high back end, this comedy was about a women with terrible luck with men. After repeatedly being on the other end of the “I-don’t-think-this-is-working” conversation, she meets the man of her dreams. There’s one small problem: he happens to be a homicidal maniac. Now THAT'S funny... Written by Michelle Wolff and Jennifer Heath, this Miramax film would've been produced by Lynda Obst and Frank Oz was in talks to direct.

Snow Dogs Sequel 

Written by Mark Gibson and Philip Halperin, this sequel to the original family film would focus on a dentist who inherits a team of Alaskan sled dogs. Walt Disney Pictures was surprised that this was a box office hit and quickly ordered up a new story for a second film... we are still waiting on it.

Unnatural History


Walt Disney Pictures bought this story of a family stuck in the Smithsonian Institution when all the exhibits come to life. Ahem, I take it the writers of this were too slow to get it written before "Night At The Museum" came out? This one is most definately... dead.

Well, as you can see... creativity is not dead in Hollywood or the Mouse for that matter... Yeah. Right. Actually, a couple of those ideas sound very good. The Michael Chabon project sounds like it would be alot of fun, but as with all things in development... it may never see the light of day. Hopefully some of the new things in development that we've reported here on BlueSkyDisney don't become features of a new "Forgotten Mouse Tales".

Saturday, June 9, 2007

Disney Serious About Game Development...



Disney's Chief Financial Officer, Tom Staggs told a group of journalists at a briefing in London that Disney Interactive Studios will triple the amount of money it spends developing video games to benefit from strong growth prospects in the global market on Friday.

Said Mr. Staggs:

"Over the next five years or so we are ramping up to about a pace of $350 million per year in video game investment, principally consoles and handhelds."

This is a dramatic increase in what was spent on development last year, which was about 100 million. The company will have a variety of new products it is working on. Of course, a good percentage of the development will be for "content" franchise like Pirates, films, animation characters or other corporate properties. About 70 percent of development will go towards "content" franchises with the remaining development spent on creating new intellectual properties. Sometime later in the year, one of the first of these games, a "Pirates of the Caribbean" multi-player online role which lets gamers inter the world of Jack Sparrow. Staggs feels that the future of gaming for DIS is just getting started:

"We would like to see video games become a vibrant creative venture."

Like the film unit, Staggs said the focus at DIS will be on the Disney aspect of the market:

"What we are doing is trying very deliberately to develop our core capabilities in video games content development, leveraging what already exists in the Disney brand."

The fruits of this investment won't be seen for a couple years, so the investment by the end of 2008/early 2009 we'll start to notice the content that's been internally created and wether it's new policy is working.

Friday, June 8, 2007

Disney Pictures China In Future Filming...


Bob Iger's global vision is becoming more and more apparent. It was recently announced that the Walt Disney Company over 100 million making films in China and several locations(read: India) around the world over the next two years. These are not American productions filming in other countries, but "localized" productions using native talent to the countries it's trying to establish markets in. A prime example of this is the movie, "The Magic Gourd" which Disney will release later this month. There are several other productions like High School Musical planned for China, India and others countries as Disney establishes stronger roots in territories not having a significant Disney influence.

Disney has always been an American company when projecting it's influence overseas. This corporate stategy is an example of the increasing globalization that Disney and other companies once identified as quinticentially American are starting to embrace. With it's focus on trying to capture the hearts of these countries citizens I for one, hope that Disney doesn't loose sight of the American Exceptionalism that Walt Disney exibited in creating his empire. That afterall, is what the world fell in love with... Disney's appeal is universally transcending, but it's also universally American.

Time will tell.

Walt Disney Animation's Bolt for 2008...


Rumors are circulating that "American Dog" has found it's new name...

Bolt.

This would make sense, since the lead character is a dog named Bolt that thinks he's a real super dog. It's not yet confirmed, but the speculation in running overtime on this one. This project is a CGI film that is scheduled to open on November 26th, 2008.

The odds that this is the films new title are pretty good.

And no, that picture is "Lady and the Tramp" artwork, not "American Dog"... from what we know, Bolt is a white German Sheppard dog that works on a television show, but doesn't know that it's fake. We should be seeing artwork for this by the end of the year.

Let's hope Bolt is a "Veeeery good boy! Yeeees he is... aren't you, Bolt?".

Sorry, I couldn't resist that...

Thursday, June 7, 2007

Disney Sets Dates...


Walt Disney Pictures has set the release dates of it's two major 2009 releases.

"The Chronicles of Narnia: The Voyage of the Dawn Treader" will open on May 1, 2009.

"Prince of Persia: The Sands of Time" will follow a couple months later when it bows on July 10, 2009.

On another note, Pixar has a release date for it's mystery 2009 release. That picture will debut on June 12, 2009. It appears that the "Cars 2" rumor could be bogus, unless they're using a code name for the project. Pixar's tentative title of it's 2009 film: "Up". Pixar is known to use code names so the "Cars" sequel idea may still be alive, but no information is available as to the validity of that speculation. We'll just have to wait and see if Lightning and Mater return...

Jerry Bruckheimer is going to be a busy man. It's just two years from the release date of POP so I presume he's been working on casting the characters. Michael Bay has not formally committed yet, announcements are probably waiting for the release of "Transformers" before going public. Nothing like a huge opening to tell everyone what your next project is.

Thanks to "comingsoon.net" for the hat tip.

Development Hell: Disney Style...


I figured I'd take a page from some of the previous posts I did with the "Forgotten Mouse Tales" theme and talk about some projects the Mouse bought, developed and let languish or just downright die on the vine...

"Development Hell" - media jargon for a film, tv show or screenplay that gets mired in studio politics or process and never actually is made.

There have been many, many movies that died before there was ever a frame of film shot. Sometimes, even the ink wasn't dry on the page when the project was thrown into limbo, never to be heard from again. Today, we'll talk about one such project that Disney tried to get made in the 90's. A personal favorite of mine...

Smoke and Mirrors.

Think of it as Raiders of the Lost Ark mixed with the epic nature of Lawrence of Arabia and the romance of Casablanca. Not a bad combination, eh?

The script was by the husband and wife writing team of Lee and Janet Scott Batchler, a renown pair of screenwriters in Hollywood whose most famous work people have seen would be "Batman Forever". Now if you didn't like that movie, let's not blame the Batchlers since a movie goes through so much Intrusion and constant studio politics that what winds up on the screen may bare little resemblance to what's seen on the page. They're also supposed to be responsible for one of Hollywood's greatest never produced screenplays known as "Nemo" which I've never been able to find a copy of.

Anyways, in the early 90's the Batchlers wrote a script called "Smoke and Mirrors". It was the story of a famous handsome, middle aged, French magician named Jean Robert Houdin(the real man Houdini named himself after, btw) and his much younger, lovely wife, Colette(who's also his assistant). It's a period pic set in Paris in 1855 and Houdin is a master illusionist. He's known throughout Europe for his abilities to mesmerize an audience. The French government enlist him to go to the French colony of Algeria to debunk an evil tribal Sorcerer that is terrorizing the natives and creating chaos for the French authorities. When they arrive there Houdin and his wife encounter a young, handsome French Legionnaire that has eyes for his wife. From there an epic battle takes place between Houdin and the Sorcerer that is sewn into a truly sweeping romance filled with action and heart from the first page to the very last.

Sound good?

Well, the Walt Disney Studios thought so... as did every other major studio at the time. A bidding war ensued and Disney's Hollywood Pictures emerged as the winner of a script that had Sean Connery attached to play Houdin... trust me, the part was written for him. He would've been amazing in this part. The role of the young Legionnaire was rumored to be going out to Tom Cruise and every hot actress in Hollywood wanted to play Colette.

So what happened? Hollywood... that's what happened. Egos and greed have a way of mixing and then strangling so much in Hollywood and the Mouse is not immune. All the major studios wanted it, but Warners was the biggest competition. Disney came out the winner by paying one million dollars for the script, and this was the early 90's when a million dollars meant something... ehem. Frank Marshall was quickly attached to direct. It's preliminary budget was set up at 60,000,000 dollars, which would be well over a hundred today... and all this happened in less than three weeks. Light speed in Studio terms... It seemed like a go, but then fate and Suits interceded.

They took a script that was so great they paid a staggering amount of money for and well... they rewrote it. So much for being perfect. Connery even wanted another pass taken on the script. More rewrites and time passed... Frank Marshall dropped out... More rewrites and millions more dollars... Sean Connery dropped out... More rewrites and more money sucked down into a drain the Suits used to justify it as being "their" ideas that would make it a great movie until momentum died down... and then it just died. The Studio lost interest and the project was put into turn around.

A movie that truly would have been an amazing epic was thrown away... it's astounding how much money gets washed down the development drain in Hollywood simply to fix perfectly good scripts. Having read this back then and waiting to see it made into a film with Connery, I can say that nothing needed to have been changed. It was a wonderful read and the only thing Disney should have been concerned about was getting it ready as soon as possible so Frank or someone else could have called "action!".

But that's the weird way things go in Hollywood. Even at the Mouse... sometimes entertainment companies loose track of the fact that they're supposed to entertain. Vanity, often gets in the way...

Wednesday, June 6, 2007

Rapunzel, Let Down Yer Hair...



At a recent Walt Disney Animation Studios meeting, Glen Keane, co-director of the new Rapunzel film commented how the new structure of feature animation that new leaders Ed Catmull and John Lasseter have instituted has greatly improved the story for Rapunzel. In fact, everyone seems to be excited about the new emphasis on story.

We all know that the creedo in Pixar is "Story is God" and it appears that WDAS are new converts. The atmosphere is decidedly upbeat. Glen and co-director Dean Wellins are moving ahead with the story, which is up on reels. The "Story Trust" of Disney and "Brain Trust" of Pixar have contributed valuable assistance to the second and third acts of the film. The first act is relatively the same as Lasseter fully approved of it earlier in the year.

Rapunzel is tentatively scheduled to be the Summer 2010 release for Walt Disney Animation Studios. I'm counting the seconds...

Disney Buys Treasure...


Walt Disney Pictures have bought a script by Amy Pocha and Seth Cohen about a gathering of childhood friends that grow up and go after a treasure they attempted to find as kids. The script, which has no name was based on an idea by Mason Novick who will produce along with production company Offspring's Jennifer Gibgot.

Offspring is the company that is producing the Adam Sandler starring "Bedtime Stories". Kristin Burr will be the exectutive in charge of the film for the Mouse.

Tuesday, June 5, 2007

Comrade Mickey...


It appears Disney's push into Russia is booming(too bad democracy isn't under Putin). It's become a burgeoning market over the past decade and even people from a formerly communist nation can't seem tot get enough of their Mickey... and Captain Jack Sparrow, apparently.

Business Week has a column online called "Mouse Ears over Moscow" that focuses on the Walt Disney Company's push into the former Soviet Union. It appears the third Pirates movie is doing extremely well. Which should come as no surprise to Walt Disney Pictures since last years "Dead Man's Chest" was the best selling foriegn film ever.

Clearly Russians love American pop-culture as much as... well, Americans. They start off focusing on a young Russian movie-goer and his father:

"Yegor Fetisov has been looking forward to this evening for weeks. "The duels, the battles, the cannons!" the 10-year-old says as he queues up for a Moscow screening of Pirates of the Caribbean: At World's End, the third installment in Disney's smash-hit swords-and-surf series. "It's great to see how pirates fight!" he gushes. Yegor's father, Andrei, isn't quite as effusive, but he's not surprised that the May 24 opening has attracted a crowd. "It's an adventure," he says. "No one here has made films like that for ages."

And apparently Bob Iger's global expansion of all things Disney will also include a Russian Disney Channel to go with the one in India, South Africa and several others. The Mouse is even starting to make films in Russia:

"By yearend, Disney expects to start shooting its first film in Russia with Russian-speaking actors, likely based on traditional children's stories. "We want Russian families to go to the cinema to watch a Disney movie, but this movie need not be produced in Hollywood," says Marina Jigalova-Ozkan, managing director of Disney's Russian operation."

And despite having been red for most of the 20th century, the Russians have finally learned what we Americans have know since our founding... the only true color that matters, is GREEN:

"Today, Disney is making real money in Russia. Overall box office sales in former Soviet lands are expected to hit $590 million this year, up from just $18 million in 1999."

The focus of Disney executives is on expanding the brand into markets that it's not had the opportunity to exploit. With the fall of the Berlin Wall in 1989 and the collapse of Communism just a year later, a large segment of the world Disney and other companies hadn't access to opened up. Although access was limited, the Soviet Union couldn't keep out the West and no matter how they tried... Disney, like American culture in general, secretly spread:

"Despite decades of anti-American propaganda, the studio's classic cartoons managed to sneak through the Iron Curtain. As early as the 1930s, selected audiences were allowed to see Disney films, and by the 1980s pirated videos circulated widely. When the movies finally hit Russian TV screens in the late '80s, they were an instant hit. "We all grew up with these cartoons and watched them in Soviet times, so we have the very best impressions," says Yuri Volkov, a thirtysomething Muscovite waiting with his family to see At World's End."

Maybe Russian Presiden Putin can lighten up his image for the press. Wouldn't it be great to see him with a pair of Mouse Ears on his head? While it's not likely we'll be seeing any Disney theme parks in Russia's future, it's good to see millions of Russians will be able to enjoy what we Americans have always taken for granted... Walt Disney's marvelous creations.

Go over to Business Week and have a look if you're interested.

Monday, June 4, 2007

Disney Outbids For Apple...


No, Bob Iger is not buying Apple Inc. like he did Pixar...

Steve Jobs is already very powerful inside the Disney company and doesn't need to have his consumer electronics company bought by the Mouse... to influence the Mouse(stay tuned for a future article on Jobs, later this summer). But Walt Disney Pictures has made a preemptive purchase in the six-figure rage, "All About Adam", a spec script by Alan Schoolcraft and Brent Simons("Mastermind", DreamWorks Animation 3-D short "First Flight"). The story follows THE Adam as he searches for Eve in modern-day New York after they fight and she leaves. Adam discovers Satan himself was behind the breakup with dastardly fiendish plans for his mate.

Scott Rudin will produce the project presumably for Walt Disney Pictures, unless the tale turns out a little too saucy(in which case the moniker would change to Touchstone).

First Look At Prince of Persia...


It looks like the script for "Prince of Persia" is leaking out. Latinoreview.com's El Mayimbe has an analysis of the script over at it's website. It mainly focuses on the first act so as to not give too many spoilers.

If you're not a fan of the game(which I'm not) then you can skip the first few paragraphs. Mayimbe gives it an A-... almost perfect in his estimation. Says Mayimbe:

"Bruckheimer and Bay - back together again for Prince of Persia, which is epic in its scope. Disney has got a monster hit and another potential blockbuster franchise on their hands. Prince of Persia can be as fun as Pirates of the Caribbean."

His feel on what type of film it is:

"One of the producers said in the trades that Prince of Persia is a 9th century Indiana Jones and it reads and feels like one."

And his general assessment of how audiences will take to the film if the script is what's made:

"Prince of Persia is one hell of an action adventure script which will be sure to thrill general audiences and fans of the game. I can’t wait."

If you want the details of the first act, go over to Latinoreview.com and take a look.

Sunday, June 3, 2007

Second week of Pirate Plundering...


Well it's been ten days and POTC: At World's End has managed to pull in close to half a billion dollars. That's the good news... The bad news is Jack Sparrow probably won't catch up to Spidey. Still it's a pretty impressive booty. Uhm... a pretty impressive haul I guess you could say.

The Johnny Depp movie has pulled in an estimated $217,545,728 domestically and $406,500,000 internationally for a projected total of $624,045,728. Man, those are some rich Pirates! This shows the growing importance of foriegn box office receipts. Although the total gross was down from last week, the overseas power of Pirates increased to 65.1 percent of the take. This dependence on the international market will only grow bigger... for Disney and the other studios as well.

The test now will be how it holds up to the coming "Transformers" movie. Other than that Michael Bay film there is no major obsticle until Harry Potter graces us with his wand. I'm not counting Fantastic Four 2, since I hated part one. I believe "At World's End" will likely wind up as the number two film of the year unless those damn robots have strong legs. Do robots have strong legs? Oh well, time will tell...

Saturday, June 2, 2007

Animator's Palette...


I thought we'd take a look at what's been going on over at Walt Disney Animation Studios. Heh... I love saying that.

Anyway, just like the "Blue Sky Updates" we occationally have as regular articles, it's my intention to have these "Animator's Palette" articles become a regular feature on the blog. It may not be weekly, but once a month or so, we'll try to give you a peek into what is perhaps the soul of the Disney corporation: Animation. It may not make the most money for the company, but without it everything else the company makes would truly ring hollow.

Things happening within the halls of Disney animation right now are quite interesting. We all know about the shake up over in Glendale at the Imagineer building. Well, a little over a year ago something happened when Robert Iger bought Pixar and brought in John Lasseter and Ed Catmull. The first meeting that Lasseter had with them set the tone. One of the first statements out of Uncle John's mouth was that "if you don't know how to draw, you really don't belong in this building". That right there caused a great deal of hearts to flutter. Some out of relief, others out of fear. Which brings me to what was/has been Disney animation's biggest problem over the past decade and more...

The real Disney Villains:

The Suits.

Executives, Studio representatives or my favorite: Middle management. Call them what you will. Remember back to Disney "Second Golden Age" of animation?

The Little Mermaid, Beauty and the Beast, Aladdin followed by The Lion King. These four films over half a decade essentially reanimated the business of animation. Not just Disney animation. But then something happened. Remember? Frank Wells died in a helicopter crash. And with him gone to balance Michael Eisner's ego something went horribly wrong. First there was the big dispute with Jeffrey Katzenberg, who believed he should get the spot for all his long years of service to Eisner. When he got snubbed by Eisner, he left to found Dreamworks and because of that we now have Shrek. But with Kazenberg gone, Eisner wanted to show that he, not Katzenberg, not the animators was what was responsible for the hits Disney had. Not that he did not deserve his share of the credit, but without Frank Wells there to contain his ego... Eisner's ego and micromanagement of everything within the Disney company continued to grow. This affected WDI as well, but that is a story for another day.

More and more, Eisner was having executives take charge of story ideas. The animators had less and less control over their projects. Unlike Pixar, where the Director was the lead in creating story ideas... the creative decisions over at the Mouse became more and more the responsiblity of studio executives that had no history of storytelling. And it showed on the box office. So who did they blame for the dwindling receipts? The animators of course. You can't blame exectutive and middle management for telling people that spent their entire lives with tales how to storytell. Can you? Apparently you can...

Not that all of the movies they made were bad. Some were quite good. Others, you could see what went wrong and a few you could tell were micromanaged to death... at the box office as well. And as always, the culprit never turns out to be the decision makers, but the people they told what to do. It amazes me that over the last decade, hundreds of talented animatiors have lost their jobs while talentless "Suits" not only kept theirs but continued to get bonuses as well.

Now this brings us back to John Lasseter and his meeting with the studio. What he's been doing, along with Ed has been to cut through that corporate structure and take the studio back to more where it was when Walt was in charge. The way Pixar was being run. Uncle John was not trying to clone Pixar, so much as bring Disney back to it's roots.

Which is not without it's pain as many animators learned earlier in the year with pink slips. Not that they weren't talented, but until John and Ed can get back to a more financially stable plate, there were simply too many animators for too little work. Of course, if a "Third Golden Age" does come about then you'll see many of them hired back or new ones come on board. WDAS will expand as it's new success grows...

The atmosphere is definately changing. But it's not done yet. It's still in the middle of it. Lots of things are still happening and the animators are still getting used to the new culture. I'd say we'll see the culmination of what WDAS will be somewhere between the time "American Dog" opens up and everyone moves into their swanky new digs over in Glendale.

But remember those "Suits" I was talking about? The ones that gave endless amounts of notes on what should happen, who should do and all those other things they were gifted in telling animators to do... well, they've stopped. The animators over there are working creatively now. They get notes from the "Brain Trust", a group of directors and animators that actually know how to tell a story. The "Story Trust" of Pixar are also involved, giving their notes as well. There is alot of creative feed back and general respect for one another. A feeling of accomplishment and pride seems to be settling in amongst the animator's cubicles. The addition of a shorts program is producing some wonderful talent the Mouse will be able to mine for years to come.

Of course, not everyone is happy. Several production people on the first and second floors aren't as bright eyed, afterall, this is where the lay-offs occured and the fear is will still happen if John Lasseter doesn't turn the ship around before hitting another iceberg. Some of these folks don't think of John as the hero simply because some of their friends got fired by him just a short while ago... and there is still the fear they might join them. This is understandable, after the roller coaster that they went through on Eisner's ego you'd expect a few of them to be wary.

In another year or so the new regime will be fully implemented and the culture will know the direction it's going. Now, if WDAS has a blockbuster come out in the next year or so... perhaps "American Dog" or "The Princess and the Frog" then everyone over there will be walking on air. That way they won't damage the plush new carpet in their new animation building.

The one being built in Glendale...

Away from the Burbank Lot...

Where all those "Suits" work...

Friday, June 1, 2007

The Need For Heroes...


Even though it's been talked about, there is no official word that "The Lone Ranger" is happening. Not until they announce it. But Jerry Bruckheimer is doing it. Bank on it. All one has to do is connect a lot of evident dots...

There was that interview with Starlog magazine in which Jerry Bruckheimer said:

"I hope I can make a big-scale Western someday."

Of course we've seen the quote by Peter Gilstrap in Variety:

"Beyond another "Pirates" project, word has it that the scribes might be doing a take on the Lone Ranger saga for Bruckheimer."

And as Jim Hill reported the Mouse is busy securing internet domain names faster than you can say "hi ho, Silver".

Well now BoxOfficeMojo has an interview with Ted Elliott and Terry Rossio in which they talk about a lot of things. There's a hint late in the article when Scott Holleran ask them what type of screenplay do they want to write next. Ted Elliott's suttle response is loaded:

"We want to do a Western. The public consciousness that existed when Westerns were popular—that sense that, if you leave town, you could easily die—isn't there anymore."

It sounds like they could be talking about TLR without mentioning it. But from their interpretation of Westerns, it sounds like it won't be your father's Lone Ranger. It'll be a serious battle of life and death. And how no one really wants a hero... because if there's a hero around, then something is wrong. Something awful. Listen to Elliott talk about how political correctness killed the Western:

"I think it started to fall away in the middle to late Sixties to the early Seventies—this idea, as in "The Man Who Shot Liberty Valance", that the men you need to build a civilization have no place in it once it's been built. If you think about the idea of a hero, the last thing you want to show up in your life is a hero—because all that can mean is that there's something really bad going on. The only time heroes show up is if there's conflict. It's not good to be around heroes if you're not a sidekick—you can become collateral damage way too easily."

Then Rossio got to talking about their interpretation of those "wide open spaces" that cowboys in Westerns alway seem to be looking for:

"If you think of The Searchers, that lack of civilization is dangerous." and "In the Western that we want to do, those open spaces need to be made frightening."

How about that? A "frightening" interpretation of the Lone Ranger. One in which a hero is kind of dreaded because you know the situation is so bad that someone is needed to rectify it...

It could be interesting...